Transformation of Dangerous Spaces is a traveling, immersive installation designed to confront men with the realities of gender-based violence, coercion, and accountability. Through a series of modified recreated bathroom stalls, within controlled exhibition spaces, the work transforms a common, overlooked space into an arena of discomfort, reflection, and necessary confrontation.
The installation is not about shaming men, rather, it is designed to engage them in an unsettling but vital experience, forcing them to confront the unspoken ways that masculinity, silence, and complicity contribute to harm. Each stall functions as a self-contained yet interconnected experience, using visual decay, sound distortion, and sensory immersion to evoke awareness and introspection.
The goal is to shift the conversation from a women’s issue to male responsibility, using interactive and immersive art as a means of engagement.
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Transformation of Dangerous Spaces isn’t just a conceptual artwork. It’s avant-garde in the truest sense , it doesn’t live on a canvas or inside a single image.
It lives in the human experience.
This work comes from the mind and memories of Christopher W. Quigley , from his lived experience, his emotions, and the need to transform what once caused harm into something that creates understanding. The reconstructed bathroom stalls and integrated immersive and interactive technologies are the physical form of that idea.
This isn’t commercial work. It’s not for sale , but it is for consumption.
It asks to be felt, questioned, and remembered.
AI, Canadian fabrication, and bleeding edge technologies are simply tools that help translate thought into form.
The art and the concept itself comes from a place no machine could ever reach.